Ducks: Two Years in the Oil Sands
Kate Beaton2022

Synopsis

Moyenne

20.0

1 vote

EXCELLENT

Celebrated cartoonist Kate Beaton vividly presents the untold story of Canada.

Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.

Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal.

Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Titre original : Ducks: Two Years in the Oil Sands (2022)

1 édition pour ce livre

2022 Editions Drawn and Quarterly

Anglaise Langue anglaise | 448 pages | Sortie : 13 septembre 2022 | ISBN : 9781770462892

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1 commentaire

  • A Blue Box Full of Books Le 27 Janvier 2023 à 16:45
    Beaton’s graphic memoir is powerful, and so interesting. She depicts everything from the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For months, she lived in a small community where colossal machineries and machines were the only scenery. Her testimony as a woman worker in the Oil Sands is strong, deep and touching.

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